Posted by Jay Livingston
Tim Allen has it rough. As he told Jimmy Kimmel, “You get beat up if you don’t believe what everybody believes. This is like ‘30s Germany.” Allen was of course referring to the many beatings and other persecutions for his political conservatism that he has suffered at the hands of Hollywood liberals. It’s amazing that he’s still standing.
Many conservatives, especially those outside the business, share Allen’s views of Hollywood. One conservative who disagrees is Rob Long.* Long lives and works inside Hollywood, mostly tilling the sitcom fields as writer, producer, and show-runner from “Cheers” to “Kevin Can Wait.” He is also an outspoken conservative (being a regular on a conservative political podcast counts as speaking out).
Recently on KCRW’s “The Business,” host Kim Masters asked Long if he shared Allen’s perceptions and experiences.
|Masters: Do you find that people are negatively dealing with you because you’re a conservative|
Long: Maybe. That is possible. I have never experienced it. Never. Quite the reverse. I could probably sit here and with enough time, enough memory, look through my diary and figure out how much money in Hollywood I’ve made not because I was conservative, but because my politics were somehow helpful to the work I was doing.
I usually find people in Hollywood in general to be remarkably open and interested . . . They like to talk about politics. They like to argue about politics. They like to mix it up. But I’ve never felt that anybody said, y’know “Not him. Can’t have him around because he represents some political viewpoint I disapprove of.” It’s never been played back to me, and I don’t feel I’ve ever had any setbacks in my career, certainly none that I didn’t cause myself. I can only say my experience has been no, been fine.
I think that when politics are mentioned on screen, in a story or a script, they’re kind of uniformly left-wing, but big deal, so what.
*I highly recommend Long’s own podcast “Martini Shot,” where he offers his insights on Hollywood, mostly the TV business. He’s gently funny, as you might expect from a guy who wrote “Cheers” episodes, and each installment of the podcast runs only 3½ minutes