Tom Wolfe (1931 - 2018) — Class, Status, and Parties

May 16, 2018
Posted by Jay Livingston

A “traitor to his class” – that’s what wealthier Republicans and conservatives called FDR. Here was a man who came from wealth yet whose policies were more directed at helping the poor and unemployed, even at the expense of the rich.

Tom Wolfe’s most famous work is probably “Radical Chic,” the 25,000-word piece that ran in New York Magazine in June, 1970. It was about “a party for the Black Panthers.” Wolfe too casts a cold eye on wealthy people coming to the aid of people who were on the wrong side of the social system, in this case, twenty-one Black Panthers accused of a variety of offenses including conspiracy to blow up New York department stores, police stations, the New Haven Railroad, and the Brooklyn Botanical Gardens.

Thirteen of the accused had been arrested and bail was set at $100,000, in effect denying them bail. They had been in jail for over a year. Leonard Bernstein had been persuaded to hold a fund-raiser for them in his apartment. Wealthy people, some of them famous, were invited. So were the lawyers and some members of the Black Panther Party.


You’d think that a journalist covering the event would pay extensive attention to the legal side of things – the charges, the evidence, and so on. You’d also think that in reflecting on the article years later in an interview with the Nieman Foundation at Harvard, the journalist would mention, at least in passing, that the eventual trial had lasted eight months (New York’s longest and most expensive ever at the time) and that the jury took only a couple of hours to return not-guilty verdicts on all 156 charges (twelve crimes x thirteen defendants).

You might think that, but if the journalist is Tom Wolfe, you’d think wrong. Wolfe didn’t really care about the legal charges. He didn’t care about the issues of justice or race or politics that the people at Bernstein’s apartment were talking about. What he cared about was Style.  His goal in the article was to mock these rich White people, many of them Jewish, for trying to incorporate elements of Black style. For Wolfe, the gathering – the discussion and donations – was not primarily about justice. It was merely one more attempt by rich people to appear hip. As Wolfe told the Nieman interviewer

This is not a story about politics; it’s a story about status. Particularly the status of very wealthy people who would find it socially correct to have a really notorious group — [. . .] They’ll never be a starker contrast between, to use a fancy word, two sensibilities.

The cover for this issue of New York Magazine captures Wolfe’s message –three wealthy-looking White women (I have no idea who designed their dresses; Wolfe, no doubt, would know) raising their fists in the Black Power salute.


Wolfe is very good at style and status. Nobody does it better. The article is awash in observations of clothes, colors, fabrics, objects.

The Field Marshal of the Black Panther Party has been sitting in a chair between the piano and the wall. He rises up; he has the hardrock look, all right; he is a big tall man with brown skin and an Afro and a goatee and a black turtleneck much like Lenny’s, and he stands up beside the piano, next to Lenny’s million-dollar chatchka flotilla of family photographs. In fact, there is a certain perfection as the first Black Panther rises within a Park Avenue living room to lay the Panthers’ 10-point program on New York Society in the age of Radical Chic. Cox is silhouetted—well, about 19 feet behind him is a white silk shade with an Empire scallop over one of the windows overlooking Park Avenue. Or maybe it isn’t silk, but a Jack Lenor Larsen mercerized cotton, something like that, lustrous but more subtle than silk. The whole image, the white shade and the Negro by the piano silhouetted against it, is framed by a pair of bottle-green velvet curtains, pulled back.

No detail is too trivial.

Lefcourt and Quat [lawyers for the Panthers] start talking, but then, suddenly, before Don Cox can open his mouth, Lenny reaches up from out of the depths of the easy chair and hands him a mint. There it is, rising up on the tips of his fingers, a mint. It is what is known as a puffed mint, an after-dinner mint, of the sort that suddenly appears on the table in little silver Marthinsen bowls, as if deposited by the mint fairy, along with the coffee, but before the ladies leave the room, a mint so small, fragile, angel-white and melt-crazed that you have to pick it up with the papillae of your forefinger and thumb lest it get its thing on a straightaway, namely, one tiny sweet salivary peppermint melt . . . in mid-air, so to speak . . . just so . . . Cox takes the mint and stares at Bernstein with a strange Plexiglas gaze . . . This little man sitting down around his kneecaps with his Groovy gear and love beads on . . . 

You might think that devoting this much attention to a mint – a mint for godssakes – serves mostly as a vehicle for Wolfe to show off his knowledge of merch (Marthinsen bowls) and his prose. But the Nieman interviewer, tells Wolfe. “This is a beautiful thing, the way you puncture the tension with a mint.” Shows you how little I know about journalism.
                                                               
There’s another problem with Wolfe’s New Journalism – the almost imperceptible shift from the reporter’s observation to the novelist’s omniscience. I hope to say more about that in a later post.

Names 2017: Boys and Girls Together

May 15, 2018
Posted by Jay Livingston

Boys names can become girls names, rarely the reverse. But that is true only of individual names. With the overall distribution of names, in at least one way, boys are becoming more like girls.

When a name crosses over from one gender to the other, girls follow the boys. A name that had been exclusively male starts to gain popularity for girls, with a consequent loss in popularity for boys.  It’s the “there goes the neighborhood” effect that Stanley Lieberson first pointed out. When girls start moving in, boys move out. (See this post).

For example, around 1960, Brook started to rise in popularity as a name for boys. Barley ten years later, the name was adopted by parents of girls. In a decade this girls  name quintupled in popularity. The number were still small, but where before it was not even in the top thousand, it rose to nearly #500 in popularity. Parents felt they could no longer give a boy that name, and Brook soon became an all-girl neighborhood. With an “e” added, Brooke eventually broke into the top 50, while baby boy Brooks all but disappeared.

(The graphic is from Baby Name Voyager. Click to enlarge.)

But if we look at changing patterns in names —  the variety and variability—  the genders switch places.  The curve of boys names is becoming more girl-like.

Fashions in names have resembled fashions in clothes. Women can wear a variety of colors and styles; men’s choices are more limited. Look at prom pictures. The guys are all wearing pretty much the same black tux. Everyday business wear for men widens the spectrum only slightly. Remember how Obama was pilloried by the right-wing for wearing a tan suit rather than the usual gray or black that all other men wear. But for a woman, it can be an embarrassment to be seen in a dress worn by even one other woman.

Similarly in names, parents of boys were happy to give their sons the same old names —  William, Christopher, John, etc. Boys could be given the same name as the father. But for girls, parents were more likely to want a name that was different (but not too different). One of the trends of the last several decades is that parents of both sexes have tried to come up with less common (but not weird) names.  Consequently the sheer number of different names has burgeoned. Compared with names in 1997, the number of girls names had increase by 60%. But for boys the number had more than doubled. Boys are still trailing girls, but they’re trying to catch up.



The increase in names is not simply a matter of an increase in babies. In fact, more babies were born in 1997 than in 2017.

The trend towards a more female-like variety also appears in the proportion of babies accounted for by the most popular names. Forty years ago, nearly 38% of all boys had a name that was among the 20 most popular. For girls, the corresponding rate was 26%. Parents of girls were more likely to look for less common names.



That trend – the search for more unusual names – increased for both sexes, but more so for boys.  By last year, the boy-girl gap of forty years ago had narrowed to one percentage point.

The desire for something new also means that fashions change more rapidly. Traditionally, women’s clothing styles came and went in a year or two or even in a season while men could keep wearing the first suit they’d ever bought (if it still fit). But fashions in male names (and probably in clothing too) have become more fleeting. Look at the top 20 names for each gender at 20-year intervals.


Of the top 20 boys names in 1997, more than half had been there 20 years earlier. For girls, only five of the top names of 1977 remained in the top 20. Jump ahead twenty years to 2017. Now, among the boys, only 5 names from 20 years earlier are still popular. And for girls, only two — Emily and the surprisingly durable Madison.

The convergence might be part of a general trend towards less rigid gender roles. If so, then the trend towards a greater variation in boys names should be slower in regions that are less evolved when it comes to gender roles. Or perhaps it’s part of the change towards viewing the child as a unique and very special individual, one who deserves a unique and very special name. That change in turn may have a lot to do with the decrease in the number of children. But these are just highly speculative guesses.

UPDATE: Tristan Bridges has much better graphs showing these same trends. He uses the top 10 rather than the top 20 and finds that in 2017, for the first time since 1880 when the census started keeping the count of names, the top 10 girls names accounted for a higher (though only very slightly higher) proportion of all girls names than the corresponding proportion for boys.  His post is here.

Others — Specific and General

May 13, 2018
Posted by Jay Livingston

When it comes to the standard sociological view about the self and socialization, as I said in a post nearly ten years ago (here) ,  I’ve lost my faith.

I realize how wrong I’ve been about some basic ideas. Taking the role of other, seeing ourselves as other see us, the looking-glass self – what a crock. In fact, people don’t see themselves as others see them, and I’m not just talking about people who are clearly delusional.

But an interview I heard recently now has me both reaffirming my skepticism and also thinking that Mead and Cooley – the guys from a century ago that intro textbooks haul out in the section on social psych – had a point. It may come down to the difference between the “generalized other” and a “specific other.” The interview, oddly enough, was about loss of faith.

Linda Curtis was raised as a Jehovah’s Witness. Even as child, she went door to door, handing out the literature, trying to convert people. I would imagine that her mother and others taught her what to say and how to respond to the curiosity, indifference, hostility, etc of others. After all, the reactions that people have to Jehovah’s Witness door-knockers fall into a few limited categories, and proselytizers learn the scenarios for each of these. Her elders would probably also have taught her a set of ways for thinking about these people and their responses, ways of thinking that provide a defense for the tenets of the religion. They would also have taught her ways of thinking that defend the self, that allow her, regardless of the reactions of others, to think about herself in a positive way. A sort of Witness protection program.

In the language of social psychology, the Witnesses were her reference group. It was with their lens, not that of the non-Witness world, that she saw herself.

But Curtis lost her faith. Her memoir is called Shunned: How I lost My Religion and Found Myself.  The turning point comes when for a moment she glimpses herself from another perspective — like what happens when you turn your head as you are walking past a mirror, maybe a three-way mirror, that you hadn’t known was there, and you see, for an instant, a person that you don’t completely recognize but who is inescapably you. At the time, Curtis was an adult, living in Portland, Oregon, married to another Jehovah’s Witness, and well along on a corporate career. She and another Witness had been assigned a territory in an affluent suburb. The man who answered the door turned out to be someone in her company, a man she knew and admired.



Here is a transcript:

Here comes a guy who I’ve known for years and that I know to be a very kind, capable, high-integrity person who I really, really like, and here I jump into this spiel that I’ve said a million times before because I’ve been knocking on doors since I was nine, and this was like, I’m thirty.

So I start speaking and I have this experience of hearing myself for the first time — like I’m an observer, over here, listening to my words. And I heard them as if for the first time. And it was self-righteous, and there was a kind of reproach and a judgment. You don’t actually say this in literal terms, but what I was saying to this guy was, “You’re not on the right team, and if you don’t get on the right team – Jehovah’s team – you could potentially be destroyed in this coming Armageddon.

When I said that, it really freaked me out. And I got out of there as fast as I could. (He was very gracious.) And that just opened a slight window for me. That discomfort didn’t go away. And I allowed myself over the next year to revisit that discomfort — like, whoa, maybe there’s another way to look at this. Could it really be that Jehovah God is that exacting — that he would wipe out this person who I know to be a really great person?

That’s where it started, and I allowed myself to build on that.



The vague, generalized other had been replaced by a very specific other, one whose views she cared deeply about.* The Linda Curtis she saw now from this new perspective was different from the Linda Curtis she had, with the help of the Jehovah’s Witnesses, constructed in her own mind. It was this new uncertainty about the self that ultimately led to her uncertainty about her religion.

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* Mead distinguished between the “generalized other” and “significant others.” Poor George. He had no idea how people a half-century later would start redefining the term he coined. I imagine him pacing about in the social psych afterworld, listening in on people today talking about “significant others.”  “No, no, no,” he shouts, That’s not what it means.”

Such Bloody Good Cameras

May 7, 2018
Posted by Jay Livingston


Ronan Farrow was on the political podcast “Left, Right, and Center” recently, talking mostly about the decimation of the State Department under Rex Tillerson. But Farrow had just been awarded the Pulitzer for his reporting on Harvey Weinstein, and the host asked him, “What have you made of stories we’ve seen — not just Harvey Weinstein — [about men]  trying to find ways to restart their careers, figuring out how they can re-enter the industry?”

“I get asked that question a lot.” Farrow said.

My first reaction was that most of the people who ask that question are probably men, and it seems like misplaced sympathy. Oh, how can these poor fellows regain their former stature in show biz? My second thought was that whatever the concerns of the askers, the question is sociologically interesting.

My next thought had far less to do with the predators and their careers and much more to do with us, the audience. What are we to do about all those movies and TV shows? Does the moral taint spill from the person onto the work itself? Ironically, Weinstein is the worst offender, but since is role is that of producer, he’s also the one most easily bracketed off from the work. Do we even know who the executive producers of our favorite films were?

It’s more of a problem when predators are on screen and playing characters that seem very much like themselves. We’ll never again view Cosby as America’s dad. That one’s easy and besides his career was over anyway. But what will we do if Louis CK develops new material and puts it up on YouTube. . . and it’s good material?

Back in November, Claire Dederer writing in The Paris Review put it this way.

“Here’s how to have some complicated emotions: watch Manhattan.” It’s a very good movie, but the Woody Allen character’s affair with a high school girl now seems even creepier.

It’s the same dilemma in “Dr. Strnagelove.” Col. Jack Ripper asks Captain Mandrake (Peter Sellers) if the Japanese had tortured him when he was a P.O.W.

   


Here’s the transcript, but you should really listen to Sellers deliver the line.



    COL. RIPPER
No, I mean, when they tortured you, did you talk?
   
MANDRAKE
No, I ...
Well, I don't think they wanted me to talk, really, or say anything.
It was their way of having a bit of fun, the swines.
The strange thing is they make such bloody good cameras.